A project from the feminist perspective for the Calle Topete community in Madrid
Selected project for the Imagina Madrid 2017 call for projects, Intermediae, Matadero, Madrid City Council.
“The Kiss” (Toxic Lesbian, 2017) is a work of public and cyberfeminist art which cultivates caring and the creation of community in Madrid’s Bellas Vistas neighbourhood as well as the symbolic redefinition of Calle Topete and its (cartographic and emotional) memories. The project is rooted in the participation of local residents and pays particular attention to female residents, in an analogue and virtual community-created project. Taking a feminist perspective, the piece’s foundation is an essential and often overlooked aspect of how human relationships which, at the same time, is symbolically one of being the key drivers of communities: women’s emotional narratives.
This initiative grew out of testimony from female residents in the Bellas Vistas neighbourhood about the problems in the area. Listening to them, they displayed strong convictions about rebuilding the community-based networks which had broken down over time as a way of restoring safety and quality of life in the area. This latent desire is conveyed by the project’s concrete initiatives. Over the course of several months, this collectively created project aims to find a deeper identity to personal relationships among neighbours. ‘The Kiss’ has been conceived to increase the symbolic and aesthetic visibility of these forms of relationship. The wish of the community to take part in this improvement and in the work already done by the neighbourhood associations are key opportunities used in the project’s design.
The methodology chosen is gender-based – generational, intercultural (intersectionality), focused on the role of women – protagonism and voice; considering critical lessons and working in networks.
Calle Topete, which plays host the greatest concentration of Dominicans anywhere in Europe, could become a symbol for the Tetuán district through values of citizen participation, coexistence and interculturality.
First snack gathering in the bar Aroma Latino in Topete Street
First collaboration with the businesses in the street to meet the community
Second presentation to the Topete Street community
Hair salons, meeting point of the project ´El Beso´
Presentation of the project in the Espacio de Igualdad Mirabal of Tetuan
Dialogue with the Bellas Vistas community during the production of the project
Third public meeting of ‘El Beso’
Micro-interviews session with women
Another micro-interviews session for the production of the project
‘El Beso’´s booth during the Bellas Vistas block party
Open presentation of the status of the project ´El Beso´ to the neighborhood
Presentation days of the project in Matadero, Madrid
Intervention in the urban space of Topete Street
Open day of information in Topete Street
Communication of the status of the project to the community
Communication of the project amongst neighbours
Edition of posters, flyers, and informative displays to communicate the project
The Dominican community involved in the presentation of the project
Collaboration with the businesses of the street during the presentation days
Some participants in the project
Work of netart
This artistry of this piece lies in its online design, observing intimate relationships of affection, romantic encounters, disaffection, conflict and intimacy from the gender perspective. The work seeks out personal and direct testimony giving a first person account of the hidden core of the description of amorous relationships, love as a laboratory of a new social order. These testimonies uncover personal relationships, nexuses and esteem for others, the emotional memory, encounters, putting a spotlight on all of the symbolically relational aspects of community. The key features of the stories do not display specific identities, they only reveal the internal workings of the social fabric for artistic purposes.
This work of netart is an aesthetic unipersonal experience which revolves iconically around its epicentre in Calle Topete. It is the substance of the communication and mediation that feed the work.
More specifically, it proposes a virtual itinerary through Madrid’s Calle Topete. Upon entering the work, and using the same functions and possibilities traditionally available on Google’s application, visitors control their movements by going forward, turning left or right, or looking upwards. The itinerary only allows visitors to enter and leave via the same street. As they move forward they hear the pre-recorded voices of the local female residents at short intervals. This is the core of the project. Portraits and images from from the memories of the street’s female inhabitants are also projected onto the virtual street.
The virtual tour “El beso” is available for screening in public or private spaces, or to be included in another website under the Creative Commons 3.0 licence (Non-commercial use; No derivatives; Always giving attribution: “El Beso” is a work by Toxic Lesbian, 2018).
Since September 22nd until October 13th 2018, the exhibit “El Beso” was displayed over facades, balconies, and the display windows of Topete Street in Madrid, with a selection of the art pieces created by Toxic Lesbian with the collaboration of the neighbors. This entails an intervention in an urban space through the disposition of 20 art pieces made on large scale printed canvas. These pieces are a representative selection of the personal accounts of the set of women of the community who contributed to the project. The intervention portrays, through a feminist perspective, the sometimes invisible aspect of women on the affective memories and their convictions on coexistence, reflecting the feelings they project back on this street of Madrid. To bring about this intervention, Toxic Lesbian coordinated informative and characteristic activities related to the community of the neighborhood, with the purpose of complementing the placement of the art pieces on the street´s facades.
The Balayage collective, Toxic Lesbián´s contributor for the coordination of the urban intervention.
At the beginning of Topete Street, installation of the canvases on the balconies
Information points with the mediators in the street
Look of the urban plate of the designed pieces for the urban intervention
Some of the participating women represented in the canvases during the installation
Canvas on one of the balconies in Topete
Another one of the pieces over a facade
The installation team working during the intervention
The canvases hang from the balconies of the street with the collaboration of the neighbors
Installation of the canvases on window displays
Women with their canvases hangin in the street
Passers by look upon the canvases in the street
Passers by look upon the canvases in the street
Other pieces as part of the exhibition
Women take over Topete Street
Several businesses collaborated with their window displays
The neighbourhood welcomes the message from the women
Detail of the canvases
The first neighbors read the canvases
Balcony occupied by a canvas
The whole route of the street with the exhibit
Another personal account by one of the participating women
The canvases diversify their message on women, migration, and affective network
The pieces coexist with plants and they mix with the daily routine of the street